Tuesday Ten: The Thanksgiving Edition
First, I know it’s not Tuesday. I was going to do this on Tuesday to fit in with my dusty Tuesday Ten category, but I was sick. However, most of this post was already written in my head, so since I’m queen of my universe, today is also Tuesday. Just like your birthday extends to your birthday week, right?
So yes, how could I not do a Tuesday Ten on things I’m thankful for? Tis the season after all. But first, I would be remiss if I didn’t offer this:
*******SAP ALERT!!!********WATCH FOR FALLING MUSHINESS*******SAP ALERT!!!*******
- I’m thankful for the wonderful authors I met this year and have inspired, taught, and suffered me, so my first Thanksgiving Thanks goes to Heidi Betts, Anna Campbell, MaryJanice Davidson, Jess Riley and Marilyn Brant.
- To all of my wonderful blog readers (lurking, commenting or otherwise) my second Thanksgiving Thanks goes to you—you give me something to look forward to every day, especially when I am a bad blog buddy and am sluggish in visiting your blogs. Extra drumsticks for you!
- I’m thankful that I had such a wonderful experience at the RWA National Convention in San Francisco this year. Not only was the setting splendid, but it was just a fabulous conference! (And I got to ride in an elevator with La Nora—much like finding a four-leaf clover.)
- I’m thankful to the Wiffers. You make me laugh, you make me smile, you make me proud to be one of you. Great big Thanksgiving Thanks to all of you!
- I’m thankful for the Girls in the Basement. Thanks to you wonderful broads, I wrote a fabulous book this year. Not only do you get Thanksgiving Thanks, you get extra wine with that! (And pecan pie with butter pecan ice cream!)
- I’m thankful for my wonderful writing/critique/career partners, Caryn and Robin, and it would take me until next Thanksgiving to list how many ways you’re fabulous! If turkeys had lips, you’d be getting a big, wet kiss from them! Mwah!
- I’m thankful most of you didn’t hurl with that last thanks, especially with the turkey lips visual.
- I’m thankful to Joss Whedon. Not only for the hours and hours of enjoyment for Buffy (and Firefly/Serenity), but for teaching me how to build worlds, create amazing characters, pace a story, and always leave your viewers/readers guessing.
- I’m thankful that I’ve found my road to Oz—not only have I learned amazing writing tools, tips and tricks from Jenny Crusie, Lani Diane Rich, Samantha Graves, Stephen King, Michael Hague, Blake Snyder and every person who’s given a seminar at RWA from 2005, 2007, and 2008, but I’ve learned how to take what works for me and blend it all together into my writing toolbox. Thanksgiving Thanks to every one of you, and the ones I’m sure I forgot.
- My final, and biggest Thanksgiving Thanks, goes to Montana. Making a wish on a wishbone really works.
Wishing each and every one of you a very happy Thanksgiving and a wonderful holiday season.
This ‘n That
· I’m about halfway through Pride and Prejudice and am really enjoying it. I don’t know if I’ll dive into any of Jane’s other books right away, but I feel I’m close to making a big checkmark on my TBR list.
· I just got notification they received my entry in the Mid-Michigan RWA Happily Ever After contest. Final judge for my category is Holly Root of Waxman Literary Agency and a call or kind word from her would make me squeal like a fifteen year-old girl winning tickets to the premier of Twilight.
· I also entered the Golden Heart last week. I have 2 weeks to get my actual submission in, but my placeholder is there and oozing good mojo!
· Oozing more good mojo to everybody taking part in NaNoWriMo, Sven’s Seventy Days of Sweat, or any other writing challenge. One of these days I’ll take my SocNoc badge down, but not yet. The site gets a little bare without it.
· 8 months until Nationals. Not that I’m counting or anything…
· If you want to watch a hysterical movie that follows Blake Snyder’s Beat Sheet, buy (don’t rent—this is good enough for your permanent collection) Lake Placid. One of the best movies ever.
· The editing on the dark historical is going well. It has fits and starts, but I think I’m close to a pattern. During my commute, I’m currently listening to a 3-hour Michael Hauge seminar on Screenwriting for Hollywood, so I’m hoping to pick up another tip or two from Michael during it. His big thing is ‘elicit emotion’ and that’s a pretty good mantra to get in your head.
· I’m having a special guest at Pam Writes Romance in December and I’ve been squealing like a fifteen year-old with tickets to the Twilight premier. I’ll give you a hint—double RITA nominee.
· Montana and I went to an American historical re-enactment festival this weekend. We got off to a bumpy start because on their website they list some of their other activities, including events from the Regency Period. And they listed Regency as 1795-1825. Poor Montana got to listen to me rant (“Do they even know what Regency means?!?”) before we even left the house. But the best part was during the Civil War re-enactment when the percussion caps they fired from their cannons set off every car alarm in the parking lot. At each volley. Of which there were about six. On each side. Twelve volleys in total.
o Admission for two: $20
o Bag of Kettle Corn: $5
o Having cannons set off car alarms: priceless
An Absence of Moral Ambiguity
So yesterday Montana and I are talking about my romantic comedy/paranormal lite. Currently, it’s with an agent and a few editors, but that’s it for now. My plan is to enter it in a few contests (including the Golden Heart) and then focus on my dark historical. Of course, once I start querying that, I’ll be swept up in a bidding war, and can ask my fabulous team of agent, editor and PR person about the rom-com-para-lite. Right? Of course, right.
But Montana was wondering if I should query a few more agents, get a few more lines in the water while I’m editing the historical. Curious, I start googling some agents just to see who’s out there. One agency has genre definitions listed, so I take a peek, curious if they have a breakdown of subgenres of romance, or even just women’s fiction compared to romance. Nope—they only have a straight romance definition, which states “…key to romance novels is an absence of moral ambiguity…sub-plots and minor characters are kept to a minimum; these are not multi-layered works…should be easy to read…marriage is almost without exception the desired goal of a romance plot.”
I have the urge to send them some Jennifer Crusie books.


